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Octavia E. Butler
 
A 20th century black writer is transported back in time to protect her white ancestor.
 
One-word View: Arousing
 
 
Imagine being forced to live nearly 160 years in the past, knowing what you know about the current time. You can bet, there would be no half-caf half-decaf lattes or mimosa brunches. But, far beyond the superfluous aspects of my life, the thought of living in such a time simply terrifies me. Yet, that is where we find our main character of Kindred. Dana, a black writer who lives in 1976 California with her white husband is transported back to 1814 after being summoned by Rufus, a five-year-old white boy.

As it turns out, Rufus is Dana's ancestor and somehow reaches through time whenever he is in a life-threatening situation - - which turns out to be on several occasions - - to retrieve his liberator. Dana travels back and forth and struggles to survive, while also ensuring her very existence, in the future, by making sure that Rufus is safe, in the past. The major problem is that the world would have probably been better in the absence of Rufus, a pathetic and sad young man: a product of his environment, but despicable, nevertheless. They were all loathsome those characters who perpetuated their lives as oppressors. Still, they were Dana's ancestors so she had to do whatever was necessary not to interfere with the path, which would lead to her eventual birth.

In Rufus’s life, over 30 years lapse. In current time, everything takes place over a period of about 10 days leaving Dana and her husband, Kevin, permanently altered and damaged. When they travel back together to the 19th century, Dana has to pretend to be Kevin’s property as marriage between Blacks and Whites was illegal. The simultaneous ease and difficulty with which they moved into their roles was very unsettling. As a matter of fact, the entire book is incredibly disturbing as the reader serves witness to the atrocities of slavery and the basic concept of one human life being valued over another. Further, it demonstrates what we all should readily admit that we do not know what we will do or how we will behave until a situation presents itself. None of us really know all that lies within our souls. This book was an emotional struggle. On occasion, I had to put it down, so vivid were the depictions of characters that were incapable of rehabilitation and void of redemption. Yet, I always came back to it before the day's end.

Octavia E. Butler delves into a disturbing examination of survival and the difficult decisions and repercussions that oft' times accompany that primal endurance. It seems foolish of me to recommend a book that made me angry, made me cry, and really made me want to bring harm to the first white person that I encountered. Fortunately, I moved past all three visceral reactions and did not assault some unsuspecting New Yorker. What remained, however, was this nagging wonder about what I would do if my very survival depended upon hurting innocent people: so tangled are the webs of personal fortitude and humanity towards one's fellow man.

Suggested by Teri Mitchell, Chicago, IL

 

 
 
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